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February 25, 2026
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Browse all 100 legendary breakbeats in our collection

Showing 100 of 100 breakbeats

Funkadelic - (Not Just) Knee Deep

(Not Just) Knee Deep

Funkadelic
1979
p-funk
116 BPM

George Clinton's P-Funk empire provided this extended groove that became a cornerstone of West Coast hip-hop.

Baby Huey - A Change Is Gonna Come

A Change Is Gonna Come

Baby Huey
1971
Soul/R&B
85 BPM

Baby Huey's powerful interpretation of Sam Cooke's classic features a dramatic drum break that became beloved by hip-hop producers for its emotional intensity and musical sophistication.

Incredible Bongo Band - Apache

Apache

Incredible Bongo Band
1973
Funk/Percussion
125 BPM

Called the 'national anthem of hip-hop', Apache was one of the original b-boy breaks used at block parties. Features prominent bongo breaks that defined early hip-hop culture.

The Soul Searchers - Ashley's Roachclip

Ashley's Roachclip

The Soul Searchers
1974
funk
118 BPM

A D.C. funk band's contribution to hip-hop lore. The break is tight, funky, and perfectly suited for rap production.

George Clinton - Atomic Dog

Atomic Dog

George Clinton
1982
p-funk
108 BPM

The P-Funk master's solo hit provided a futuristic funk break that became essential to West Coast hip-hop.

The Emotions - Blind Alley

Blind Alley

The Emotions
1972
soul/funk
116 BPM

A Chicago soul group's track featuring a haunting bassline and solid drums that became a hip-hop sampling favorite.

Fred Wesley & The J.B.'s - Blow Your Head

Blow Your Head

Fred Wesley & The J.B.'s
1974
Funk/Jazz-Funk
105 BPM

One of the greatest funk tracks of all time featuring a neck-snapping uptempo breakbeat that became one of the most sampled tracks ever. Fred Wesley's trombone work combined with the tight J.B.'s rhythm section created an irresistible groove.

Incredible Bongo Band - Bongo Rock

Bongo Rock

Incredible Bongo Band
1973
Funk/Percussion
120 BPM

One of the two records DJ Kool Herc used to invent the 'merry-go-round' technique. Cover of Preston Epps' 1959 original that became essential to hip-hop's birth.

Vaughan Mason & Crew - Bounce, Rock, Skate, Roll

Bounce, Rock, Skate, Roll

Vaughan Mason & Crew
1979
disco/funk
122 BPM

A skating rink anthem that provided a perfect break for early hip-hop DJs with its repetitive, hypnotic groove.

Cymande - Bra

Bra

Cymande
1972
Afro-Funk/Soul
102 BPM

British-Caribbean funk pioneers Cymande created this groove that became an early B-boy staple. The bass breakdown was looped live by DJ Kool Herc and others in hip-hop's early days.

Herbie Hancock - Chameleon

Chameleon

Herbie Hancock
1973
Jazz-Fusion
105 BPM

Jazz fusion standard from the 'Head Hunters' album that provided the characteristic bassline and funk beat for hip-hop. Represented Hancock's move into electric jazz-funk territory.

The Meters - Cissy Strut

Cissy Strut

The Meters
1969
New Orleans Funk
98 BPM

The Meters' signature tune established the New Orleans funk sound that would influence hip-hop for decades. The pocket groove and syncopated rhythms created a new template for funk.

James Brown - Cold Sweat

Cold Sweat

James Brown
1967
Funk
122 BPM

The birth of funk itself. James Brown's 1967 revolutionary recording created the first drum break in music history and established the rhythmic template that would become hip-hop's foundation. Clyde Stubblefield's legendary drums and the iconic 'Give the drummer some!' moment changed music forever.

The Watts 103rd Street Rhythm Band - Do Your Thing

Come On

The Watts 103rd Street Rhythm Band
1968
funk
128 BPM

A West Coast funk band's contribution to hip-hop sampling, featuring a tight rhythm section and memorable break.

Herman Kelly & Life - Dance to the Drummer's Beat

Dance to the Drummer's Beat

Herman Kelly & Life
1978
disco/funk
118 BPM

A disco-era track that provided a perfect break for early hip-hop DJs with its extended drum section.

Syl Johnson - Different Strokes

Different Strokes

Syl Johnson
1967
Chicago Soul
117 BPM

The Chicago soul classic that became hip-hop's foundational bridge between soul and rap. Syl Johnson's message about individuality and Morris Jennings' seven-second drum crack created the blueprint for countless hip-hop classics, from Public Enemy's 'Fight the Power' to Wu-Tang Clan's hardcore anthems.

The Fatback Band - Do the Bus Stop

Do the Bus Stop

The Fatback Band
1975
funk
121 BPM

A dance-oriented funk track that provided a clean, punchy break perfect for hip-hop production.

Rufus Thomas - Do the Funky Chicken

Do the Funky Chicken

Rufus Thomas
1969
R&B/Funk
115 BPM

One of the earliest funk breaks to be extensively sampled, bridging R&B and hip-hop. Rufus Thomas was a Memphis radio DJ who became a recording artist.

Dennis Edwards feat. Siedah Garrett - Don't Look Any Further

Don't Look Any Further

Dennis Edwards feat. Siedah Garrett
1984
R&B/Funk
98 BPM

The quiet, funky bassline became the foundation for countless hip-hop classics. Featured future Michael Jackson collaborator Siedah Garrett.

The Showboys - Drag Rap (Trigger Man)

Drag Rap (Trigger Man)

The Showboys
1986
Hip-Hop/Bounce
96 BPM

The 'Triggerman' beat became the foundation of New Orleans bounce and Southern hip-hop. Essential to Southern rap's development from late 80s through today.

Gang Starr - DWYCK

Dwyck

Gang Starr
1992
hip-hop
95 BPM

While technically a hip-hop track, the break from this Nice & Smooth collaboration became heavily sampled itself.

Eric B. & Rakim - Eric B. Is President

Eric B. Is President

Eric B. & Rakim
1986
Hip-Hop
105 BPM

One of the first hip-hop tracks to become a sample source itself, based on James Brown's 'Funky President'. Shows how hip-hop began sampling itself.

Roy Ayers - Everybody Loves the Sunshine

Everybody Loves the Sunshine

Roy Ayers
1976
Jazz-Funk
96 BPM

The vibraphone melody became synonymous with Native Tongues and alternative hip-hop. Essential to the jazz-influenced boom-bap movement of the early 90s.

Mandrill - Fencewalk

Fencewalk

Mandrill
1972
Latin-Funk
98 BPM

A pioneering world-funk fusion featuring Latin percussion, Afro-Caribbean rhythms, and a distinctive drum break. Mandrill's multicultural approach made them pioneers of what would later be called world music.

Parliament - Flash Light

Flash Light

Parliament
1977
P-Funk
108 BPM

The synthesizer bass became the template for G-Funk's signature sound. Essential to West Coast's funky, laid-back aesthetic that defined 90s rap.

The Beginning of the End - Funky Nassau

Funky Nassau

The Beginning of the End
1971
funk
125 BPM

A Bahamian funk band's international flavor brought Caribbean influences to hip-hop sampling.

James Brown - Funky President (People It's Bad)

Funky President

James Brown
1974
Political Funk
105 BPM

James Brown's direct response to the post-Watergate political landscape became hip-hop's most politically charged breakbeat. Allan Schwartzberg's groove-heavy drumming created the foundation for countless conscious rap anthems and political protests in sound.

Kool and the Gang - Funky Stuff

Funky Stuff

Kool and the Gang
1973
Funk
102 BPM

Before they became known for pop hits, Kool and the Gang were serious funk pioneers. This track features a raw, driving break that became a hip-hop foundation.

The Isley Brothers - Get Into Something

Get Into Something

The Isley Brothers
1970
funk/soul
119 BPM

The Isley Brothers' funk period produced this driving break that became a hip-hop sampling favorite.

Lee Dorsey - Get Out of My Life, Woman

Get Out of My Life, Woman

Lee Dorsey
1966
soul/r&b
125 BPM

A New Orleans soul classic that provided a swinging, syncopated break perfect for hip-hop production.

James Brown - Get Up (I Feel Like Being a) Sex Machine

Get Up (I Feel Like Being a) Sex Machine

James Brown
1970
funk
126 BPM

Features one of the most recognizable guitar riffs in funk and a break that became essential to hip-hop production.

James Brown - Give It Up or Turnit a Loose

Give It Up or Turnit a Loose

James Brown
1969
Funk
130 BPM

Another Clyde Stubblefield masterpiece that showed the versatility of his drumming style. Demonstrated James Brown's ability to create multiple sample-worthy breaks.

James Brown - Give It Up or Turnit a Loose

Give It Up or Turnit a Loose

James Brown
1969
funk
128 BPM

Another James Brown funk classic that provided the blueprint for countless hip-hop tracks with its driving rhythm.

Chic - Good Times

Good Times

Chic
1979
Disco/Funk
120 BPM

Bernard Edwards and Nile Rodgers' composition became hip-hop's foundational sample. The bassline was recreated for hip-hop's breakthrough commercial single.

King Floyd - Groove Me

Groove Me

King Floyd
1970
soul/funk
118 BPM

A New Orleans soul classic with a hypnotic groove that became a favorite among hip-hop producers seeking that Southern feel.

Lafayette Afro Rock Band - Hihache

Hihache

Lafayette Afro Rock Band
1973
afro-funk
126 BPM

A French Afro-funk group's contribution to hip-hop history. The crisp drums and percussion made it a golden-era favorite.

The Rolling Stones - Honky Tonk Women

Honky Tonk Women

The Rolling Stones
1969
Rock/Blues Rock
132 BPM

While primarily a rock song, the cowbell-driven intro became a sampled element in hip-hop, showing how breaks transcended genre boundaries.

Eddie Bo - Hook and Sling

Hook and Sling

Eddie Bo
1969
New Orleans Funk
95 BPM

A New Orleans funk classic featuring the distinctive second-line rhythms of the Crescent City. The break showcases the unique polyrhythmic style that made New Orleans funk so influential.

Foreigner - Hot Blooded

Hot Blooded

Foreigner
1978
Rock
125 BPM

Arena rock guitar riff that crossed over into hip-hop's party atmosphere. Late 70s rock hit that demonstrated hip-hop's willingness to sample from any genre.

Bobby Byrd - Hot Pants (I'm Coming, I'm Coming, I'm Coming)

Hot Pants (I'm Coming, I'm Coming, I'm Coming)

Bobby Byrd
1971
funk
125 BPM

James Brown's right-hand man created this funk classic. The break features the signature JB's rhythm section with prominent tambourine.

James Brown - I Got You (I Feel Good)

I Got You (I Feel Good)

James Brown
1965
Funk/Soul
145 BPM

Features emphasis on the downbeat with tight, snappy snares that defined the funk rhythm template. One of James Brown's biggest pop hits.

Ahmad Jamal - I Love Music

I Love Music

Ahmad Jamal
1978
Jazz
98 BPM

Became essential to jazz-influenced hip-hop and the Native Tongues movement. Connected modern jazz to hip-hop's sophisticated branch, influencing alternative rap.

Barry White - I'm Gonna Love You Just a Little More Baby

I'm Gonna Love You Just a Little More Baby

Barry White
1973
soul/disco
112 BPM

The maestro of love's orchestral soul provided a lush break that added sophistication to hip-hop production.

Isaac Hayes - Ike's Mood

Ike's Mood

Isaac Hayes
1970
Soul/Funk
85 BPM

Provided the dark, cinematic feel that became Memphis rap's signature. Connected blaxploitation soundtracks to Southern hip-hop's theatrical approach.

The Honey Drippers - Impeach the President

Impeach the President

The Honey Drippers
1973
Funk/Soul
96 BPM

A political protest song from 1973 that became hip-hop's most sampled break. Recorded by high school students in Queens, it transformed from anti-Nixon anthem to the rhythmic foundation of East Coast hip-hop.

Phil Collins - In the Air Tonight

In the Air Tonight

Phil Collins
1981
Rock/Pop
96 BPM

The atmospheric buildup and explosive drum break made it perfect for creating tension in hip-hop. Phil Collins' biggest solo hit became one of the most versatile samples.

Skull Snaps - It's a New Day

It's a New Day

Skull Snaps
1973
funk
115 BPM

Features one of the most recognizable snare sounds in hip-hop. The raw, dry recording quality made it perfect for sampling.

Skull Snaps - It's a New Day

It's a New Day

Skull Snaps
1973
Underground Funk
110 BPM

The holy grail of crate-digging culture. This mysterious funk trio (later revealed as The Diplomats) created one of hip-hop's most coveted breaks, with their identity remaining unknown for decades. The innovative 'wallet snare' technique and single-take recording session produced underground funk perfection.

Ralph MacDonald - Jam on the Groove

Jam on the Groove

Ralph MacDonald
1976
jazz-funk
117 BPM

A session musician's solo work that provided a sophisticated jazz-funk break for discerning hip-hop producers.

Doug E. Fresh & Slick Rick - La Di Da Di

La Di Da Di

Doug E. Fresh & Slick Rick
1985
hip-hop
95 BPM

While originally a hip-hop track, its break became heavily sampled, showing hip-hop's recursive nature.

Doug E. Fresh & Slick Rick - La Di Da Di

La Di Da Di

Doug E. Fresh & Slick Rick
1985
Hip-Hop/Rap
95 BPM

A foundational hip-hop track that became one of the most sampled songs in rap history. Built around a simple but effective drum machine pattern that influenced countless producers.

Chic - Le Freak

Le Freak

Chic
1978
Disco/Funk
125 BPM

Disco's biggest hit provided crossover appeal for hip-hop producers. Nile Rodgers and Bernard Edwards' creation dominated disco charts for seven weeks.

Mountain - Long Red

Long Red (Live)

Mountain
1972
Blues Rock
85 BPM

Contains one of the most iconic drum breaks in history - a simple kick-snare pattern with crowd participation. From Ultimate Breaks and Beats Volume 9.

The Doobie Brothers - Long Train Runnin'

Long Train Runnin'

The Doobie Brothers
1973
rock
124 BPM

A rare rock track that found favor with hip-hop producers due to its repetitive, hypnotic groove and clean break section.

MFSB - Love Is the Message

Love Is the Message

MFSB
1973
philadelphia soul
120 BPM

The Philadelphia International house band's orchestral soul provided lush textures for sophisticated hip-hop production.

The Monkees - Mary, Mary

Mary, Mary

The Monkees
1967
Manufactured Pop Rock
125 BPM

The ultimate example of hip-hop's democratic sampling philosophy. Run-DMC transformed a song from a manufactured TV band into an authentic hip-hop classic, proving that creativity lies in transformation rather than source material. This bold choice expanded hip-hop's palette and demonstrated the genre's power to find value in unexpected places.

Zapp - More Bounce to the Ounce

More Bounce to the Ounce

Zapp
1980
Electro-Funk
100 BPM

Roger Troutman's talk-box vocals and synth bass became foundational to G-Funk. Bridged electro-funk and hip-hop, crucial to West Coast sound development.

Skull Snaps - My Hang Up Is You

My Hang Up Is You

Skull Snaps
1973
Soul/Funk
87 BPM

Originally the A-side to 'It's A New Day', this conscious soul track provided another layer to the Skull Snaps legacy. Written in single takes by the trio.

Kool & the Gang - N.T.

N.T.

Kool & the Gang
1971
funk
122 BPM

An early Kool & the Gang instrumental featuring a driving bassline and tight drums that made it perfect for sampling.

Bob James - Nautilus

Nautilus

Bob James
1974
jazz-funk
114 BPM

A jazz pianist's groove that became a hip-hop foundation. The bassline and overall feel made it irresistible to producers.

Kraftwerk - Numbers

Numbers

Kraftwerk
1981
Electronic
130 BPM

Provided the rhythmic template for electro-funk and early electronic dance music. German electronic music became foundational to American hip-hop and dance music.

The Five Stairsteps - Ooh Child

Ooh Child

The Five Stairsteps
1970
Soul/R&B
88 BPM

A hopeful soul anthem with a gentle but distinctive drum pattern that became a favorite for mellow hip-hop productions. The break comes during the song's instrumental bridge.

Joe Tex - Papa Was Too

Papa Was Too

Joe Tex
1966
soul/funk
115 BPM

One of the earliest breaks in hip-hop sampling history, featuring a heavy, driving rhythm that influenced the harder edge of hip-hop.

Beastie Boys - Paul Revere

Paul Revere

Beastie Boys
1986
Hip-Hop/Rap
120 BPM

While not a traditional funk or soul break, this became a breakbeat classic through its use of samples and its own subsequent sampling. Features samples from multiple sources including "The Lonely Bull."

Average White Band - Pick Up the Pieces

Pick Up the Pieces

Average White Band
1974
funk
125 BPM

A Scottish funk band's most famous track provided a tight, clean break that became a hip-hop staple.

Cameo - Rigor Mortis

Rigor Mortis

Cameo
1977
funk
118 BPM

Cameo's early funk period produced this break that became a favorite among hip-hop producers for its stark, minimalist groove.

The Blackbyrds - Rock Creek Park

Rock Creek Park

The Blackbyrds
1975
jazz-funk
118 BPM

A jazz-funk group's groove that provided a sophisticated break perfect for more complex hip-hop production.

Cerrone - Rocket in the Pocket

Rocket in the Pocket

Cerrone
1977
disco/electronic
120 BPM

A French disco producer's track that provided an electronic edge to hip-hop sampling with its synthesized elements.

Herbie Hancock - Rockit

Rockit

Herbie Hancock
1983
Jazz-Fusion/Electro
125 BPM

Brought electro into mainstream consciousness and influenced Miami bass movement. Showed how jazz could embrace electronic production and influence hip-hop.

James Brown - Say It Loud - I'm Black and Proud

Say It Loud (I'm Black and Proud)

James Brown
1968
Funk/Soul
120 BPM

Civil rights anthem that provided both rhythmic foundation and cultural significance. Recorded in the aftermath of Martin Luther King Jr.'s assassination.

Dennis Coffey - Scorpio

Scorpio

Dennis Coffey
1971
Detroit Funk-Rock
116 BPM

The Motown session guitarist's psychedelic funk masterpiece that bridged Detroit soul, rock guitar, and hip-hop culture. Featuring nine overdubbed guitars and innovative wah-wah techniques, this crossover hit became one of hip-hop's most sampled guitar-driven breaks.

The Whole Darn Family - Seven Minutes of Funk

Seven Minutes of Funk

The Whole Darn Family
1976
funk
120 BPM

As the title suggests, this extended funk workout provided multiple breaks and became a hip-hop sampling goldmine.

Sly & the Family Stone - Sing a Simple Song

Sing a Simple Song

Sly & the Family Stone
1968
funk/soul
120 BPM

Sly Stone's innovative funk provided this classic break that influenced countless hip-hop producers with its polyrhythmic complexity.

Sly & The Family Stone - Sing a Simple Song

Sing a Simple Song

Sly & The Family Stone
1968
Funk/Soul
118 BPM

Sly Stone's innovative funk creation features a hypnotic drum pattern and bass line that became essential to hip-hop's development. The break showcases early multiracial funk innovation.

Tom Scott - Sneakin' in the Back

Sneakin' in the Back

Tom Scott
1974
jazz-funk
115 BPM

A jazz saxophonist's funky side project that provided a smooth yet driving break for hip-hop sampling.

James Brown - Soul Pride

Soul Pride

James Brown
1969
funk
124 BPM

Another James Brown classic that showcased the tight JB's rhythm section that became fundamental to hip-hop.

Magic Disco Machine - Space

Space

Magic Disco Machine
1975
disco/funk
116 BPM

An obscure disco track that provided a futuristic-sounding break that became a favorite among experimental hip-hop producers.

Graham Central Station - The Jam

Stretch

Graham Central Station
1975
funk
123 BPM

Larry Graham's bass-heavy funk provided a deep, rhythmic foundation that hip-hop producers couldn't resist.

Silky Slim - Substitution

Substitution

Silky Slim
1973
funk
119 BPM

A lesser-known funk track that provided a gritty, raw break perfect for underground hip-hop production.

Kool & the Gang - Summer Madness

Summer Madness

Kool & the Gang
1974
jazz-funk
114 BPM

A laid-back jazz-funk instrumental that provided a smooth, sophisticated backdrop for hip-hop sampling.

James Brown - Super Bad

Super Bad

James Brown
1970
funk
126 BPM

James Brown's extended funk workout provided multiple break sections and became a cornerstone of hip-hop sampling.

Melvin Bliss - Synthetic Substitution

Synthetic Substitution

Melvin Bliss
1973
funk
120 BPM

A raw, punchy break that became a hip-hop staple. The snare crack and overall groove made it perfect for aggressive rap production.

Melvin Bliss - Synthetic Substitution

Synthetic Substitution

Melvin Bliss
1973
Funk
108 BPM

A rare funk 45 that became legendary among diggers and producers. The break is short but incredibly powerful, with a distinctive snare crack that cuts through any mix.

Bob James - Take Me to the Mardi Gras

Take Me to the Mardi Gras

Bob James
1975
Jazz-Fusion
105 BPM

The opening bells and drum break became synonymous with late 80s hip-hop culture. From Bob James' album 'Two', this track created the sonic backdrop for break-dancing.

Sly & the Family Stone - Thank You (Falettinme Be Mice Elf Agin)

Thank You (Falettinme Be Mice Elf Agin)

Sly & the Family Stone
1969
funk
118 BPM

Sly Stone's bass-heavy funk anthem provided a fundamental template for hip-hop production with its infectious groove.

The Winstons - Amen, My Brother

The Amen Break

The Winstons
1969
Soul/Funk
136 BPM

The most sampled drum break in hip-hop history, performed by Gregory Cylvester 'G.C.' Coleman. This 6-second break became the foundation for entire genres including drum and bass, jungle, and hardcore.

Billy Squier - The Big Beat

The Big Beat

Billy Squier
1980
rock
110 BPM

A rare rock breakbeat that found its way into hip-hop. The simplicity and power of the drums made it irresistible to producers.

Kurtis Blow - The Breaks

The Breaks

Kurtis Blow
1980
Hip-Hop
110 BPM

One of the first hip-hop tracks to be extensively sampled by electronic music producers. Showed the circular nature of sampling - hip-hop sampling back into electronic music.

The Mohawks - The Champ

The Champ

The Mohawks
1968
Surf Rock/Instrumental
124 BPM

An unlikely breakbeat source from a surf rock instrumental that features a thunderous drum break. Despite its beach party origins, it became a hip-hop foundation stone.

David McCallum - The Edge

The Edge

David McCallum
1967
TV Soundtrack/Library Music
126 BPM

From the Man from U.N.C.L.E. TV series soundtrack, this dramatic instrumental features a driving drum break that became a hip-hop staple despite its television origins.

James Brown - Funky Drummer

The Funky Drummer Break

James Brown
1970
Funk
100 BPM

Clyde Stubblefield's legendary drum break from James Brown's 'Funky Drummer'. The second most sampled break in hip-hop history.

James Brown - The Payback

The Payback

James Brown
1973
funk
117 BPM

A long-form James Brown funk epic that provided multiple breakbeat sections for hip-hop producers to mine.

James Brown - The Payback

The Payback

James Brown
1973
Funk
104 BPM

The final entry represents James Brown's continued evolution and lasting influence. This 7-minute funk epic features multiple break sections and represents the culmination of funk's development into hip-hop source material.

Lyn Collins - Think (About It)

Think (About It)

Lyn Collins
1972
Funk/Soul
125 BPM

Though only a few seconds long, this break contains one of the most recognizable drum patterns in hip-hop. Lyn Collins was known as the 'Female Preacher' in James Brown's circle.

Kraftwerk - Trans-Europe Express

Trans-Europe Express

Kraftwerk
1977
Electronic
130 BPM

German electronic music that became the template for electro-funk and countless hip-hop tracks. Kraftwerk's robotic minimalism provided the blueprint for electronic music sampling.

Skull Snaps - Trespassing

Trespassing

Skull Snaps
1973
Funk
93 BPM

Raw funk cover of Ohio Players' 'Trespassin' that captured the gritty essence hip-hop producers sought. Part of the legendary 1973 GSF Records session.

ESG - UFO

UFO

ESG
1981
South Bronx Post-Punk
118 BPM

Four sisters from the South Bronx created the perfect bridge between post-punk and hip-hop. Recorded in three spare minutes of studio time, this minimalist masterpiece became one of the most sampled tracks in history, sampled 560+ times by everyone from Public Enemy to J Dilla to Miles Davis.

Bill Withers - Use Me

Use Me

Bill Withers
1972
soul/funk
113 BPM

Bill Withers' minimalist funk provided a hypnotic, repetitive break that became a hip-hop production staple.

Isaac Hayes - Walk on By

Walk on By

Isaac Hayes
1969
soul
110 BPM

Isaac Hayes' orchestral soul arrangement of the Dionne Warwick hit provided a lush, cinematic break for hip-hop.

Led Zeppelin - When the Levee Breaks

When the Levee Breaks

Led Zeppelin
1971
Rock/Blues
86 BPM

Led Zeppelin's monumental reimagining of a 1929 blues classic created rock music's most sampled drum break. John Bonham's thunderous drums, recorded in a stairwell at Headley Grange, became the bridge between rock and hip-hop culture.